Flying Tesla Roadster · Jun at ICONSIAM (TikTok reel)

Logline

Jun flies the real-shape Tesla Roadster over the Chao Phraya at ICONSIAM — a talk-led Thai influencer reel made with FLUX 3 Klein and LTX-2.5.

Note of intent

A Thai AI influencer, Jun, lifts the newly unveiled Tesla Roadster off the riverside promenade at ICONSIAM on its four cold-gas thrusters, flies low over a Chao Phraya river boat whose Thai and foreign passengers pull out their phones, says his heart sank as the car started to rise, tells what Tesla has said about it (revealed in mid-October, production from 2028, left-hand drive only so far) and lands back at ICONSIAM. 42 s, 9:16, golden sunset throughout, three on-camera lip-synced lines. Dialogue (Thai): เฮ้ย ทุกคน! จุนนั่งอยู่ในรถ ที่บินได้จริงแล้วนะ... ตรงหน้าICONSIAMเลย! · ข้างใต้มีทรัสเตอร์อัดอากาศ ซ่อนอยู่ เทคโนโลยีจาก SpaceX ยกทั้งคันลอยขึ้นได้เลย · โอเค... ใจเย็น ๆ... สาม... สอง... หนึ่ง... · โอ้โห ขึ้นแล้ว! ลอยขึ้นจริง ๆ! · บินข้ามเรือ กลางเจ้าพระยา ทั้งคนไทยทั้งฝรั่ง ยกมือถือถ่าย กันใหญ่เลย · บอกตรง ๆ ตอนรถเริ่มลอย ใจหายวาบเลย... แต่พอขึ้นมาแล้ว นิ่งกว่าที่คิดเยอะมาก · หลังคากระจกสีทองทั้งแผ่น มองลงไปเห็นเจ้าพระยาทั้งสาย สวยจนพูดไม่ออก · Tesla เพิ่งเปิดตัวคันนี้ กลางเดือนตุลา บอกว่าจะเข้าสายการผลิต ปีสองพันยี่สิบแปด · แต่คันนี้พวงมาลัยซ้ายนะ ยังไม่มีพวงมาลัยขวา ต้องรอดูว่าจะมาเมื่อไร · ลงจอดริมน้ำ หน้าICONSIAMพอดี คนปรบมือให้ด้วย! · ถ้าให้แกเลือกหนึ่งที่ จะให้จุนบินไปไหนต่อ? พิมพ์มาเลย เดี๋ยวพาไป! How it was made (all open weights except the voice): Jun's character sheet → every car shot drawn against Tesla's own photo of the same angle (front three-quarter, side, straight rear, the yoke, the cabin; used as references only, never published) → empty plates of ICONSIAM and a river cruise boat made from real location photos → keyframes with FLUX 3 Klein; the cabin stills corrected against Tesla's cabin photos (no mirrors, brushed-silver yoke spokes, dark charcoal suede ceiling and dashboard, left-hand drive) → LTX-2.5 clips with a director rig per shot (smartphone 24 mm for the talking shots, ARRI Alexa 35 + anamorphic for the car), golden hour in every shot → the cold-gas vapour LTX paints peach in that light keyed back to white in the edit, shot by shot → lip-synced lines rendered audio-to-video and cut in at 0.4 s → final cut: colour matched shot by shot, one grade (S-curve, teal shadows, warm highlights, halation, grain), edit VFX (flash, RGB split, shake on the drop, glow, whip, skin smoothing on the talking shots), music drop on the lift-off line, every shot ending on its planned frame, word-by-word Thai captions, AI label and the SparkScene logo. What the car says it is comes only from Tesla's page and unveil livestream: revealed mid-October 2026, production from 2028, left-hand drive only so far, SpaceX cold-gas thrusters, a gold-tinted glass roof. Voice: Nat (A), one emotion tag per line; English names written the way Thai speakers say them before the voice reads them. Use as template (button above): the same shots, cameras, timing and edit with your influencer, your product photos, your location and your lines. Made with AI. Not an advertisement for Tesla; flying on real roads is not allowed.

The look

Golden sunset on the river throughout · smartphone 24 mm talking shots, ARRI Alexa 35 anamorphic car shots · Kodak Portra grade

• SoundGenerated with picture
• Format9:16 · 12 shots · Final

Character sheets & references · drawn before the shots

• 

  Character sheet · Jun

• 

  Place · ICONSIAM from the Chao Phraya at sunset, empty plate (made from real location photos)

• 

  Place · The deck of a Chao Phraya river cruise boat facing ICONSIAM, empty plate

• 

  Prop · The car, drawn shot by shot against Tesla's own photos of the same angle (the press photos themselves are not published here). Shown: our own stills — straight rear, landing front three-quarter, the yoke.

Shot list

1. 01

   Hook · the real yoke, left-hand drive (macro push-in)

   A single continuous take with no cuts. Both hands tighten a little on the grips while the camera slowly pushes in toward the yoke. Nothing else changes: no buttons, lights or screens appear. The yoke's metal spokes and trim stay brushed silver the whole time. The camera slowly dollies forward toward the subject. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 50mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Push In50mm3s

2. 02

   Line 1 · on camera, parked at ICONSIAM

   A single continuous take with no cuts. The young man in the black leather jacket sits in the driver's seat of the parked car and talks excitedly to the phone camera on the dashboard. His lips move clearly with every word. Both of his hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows people walk along the riverside promenade. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. His face stays the same young face in every frame. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

   Static24mm4s

3. 03

   Lines 2–3 · the thrusters fire, straight from behind (cold-g

   A single continuous take with no cuts. With a sharp hiss, white cold gas bursts from the nozzles under the car's four corners and billows into thick white clouds across the ground. No flame, no fire and no glow: only white vapour. The car stays on the ground, level, and keeps facing away from the camera. The camera slowly dollies forward toward the subject. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 35mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: a sharp rising hiss of high-pressure gas.

   Push In35mm5s

4. 04

   Line 4 · lift-off past the ICONSIAM towers on the drop (cold

   A single continuous take with no cuts. The car rises straight up, slowly and smoothly, on exactly four columns of white cold gas, one under each of its four corners next to the wheels; the body stays perfectly level the whole time: it does not tilt, pitch, roll or turn, and its nose keeps pointing the same way. Thick white clouds billow outward over the ground. No flame, no fire, no glow, no extra jets. The people around raise their phones and step back. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: a loud roar of high-pressure gas.

   Static24mm8s

5. 05

   Line 5 · over a Chao Phraya river boat (vapour keyed white,

   A single continuous take with no cuts. The car glides slowly and level across the frame on its four white gas jets. Aerial drone shot gliding forward high over the landscape. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Drone Flyover24mm5s

6. 06

   Line 5 · Thai and foreign passengers film it

   A single continuous take with no cuts. On the deck of the river cruise boat the passengers watch something fly overhead: they follow it with their eyes and phones from left to right, laughing and cheering, one woman covers her mouth in surprise, a man points up. A warm wind moves their hair, the boat rocks gently on the golden river. The camera is handheld on the deck. A single continuous take with no cuts. Ultra-realistic smartphone video, natural light, true-to-life colour, no added objects, no text. The camera holds completely still and the framing never changes. Cinematic footage. Audio: natural ambience matching the scene.

   Static24mm5s

7. 07

   Line 6 · on camera while flying

   A single continuous take with no cuts. The young man in the black leather jacket hovers the car above the river; he keeps looking ahead through the windscreen and glances at the phone camera on the dashboard while he talks, first honest about the scare, then relieved. His lips move clearly with every word. Both of his hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows the river and the riverside slide slowly past below. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. His face stays the same young face in every frame. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

   Static24mm6s

8. 08

   Line 7 · over the Chao Phraya (vapour keyed white, the water

   A single continuous take with no cuts. The car glides slowly and level across the frame on its four white gas jets. Aerial drone shot gliding forward high over the landscape. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Drone Flyover24mm5s

9. 09

   Line 7 · he laughs

   A single continuous take with no cuts. The young man in the black leather jacket hovers the car above the river and bursts out laughing, looking out of the side window at the water below. He does not speak. Both of his hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows the river and the riverside slide slowly past below. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. His face stays the same young face in every frame. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: natural ambience matching the scene.

   Static24mm3s

10. 10

    Line 9 · beside the car (static camera, so the car is not re

    A single continuous take with no cuts. The young man in the black leather jacket glances back over his shoulder at the white car behind him and laughs, then turns back to the lens with a proud smile. He does not speak and his hands stay down. The camera stays still. The white car behind him does not change at any moment: the same sharp wedge nose with the thin light bar, the same dark gold-tinted glass canopy, and smooth body sides with no door handles and no side mirrors. Behind him boats glide along the river softly out of focus. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: natural ambience matching the scene.

    Static24mm3s

11. 11

    Line 10 · landing at ICONSIAM (cold-gas vapour keyed back to

    A single continuous take with no cuts. The car, still facing the camera, sinks straight down with its body level onto its four wheels into a cloud of white gas; the jets stop and the white vapour drifts away. The car keeps facing the camera the whole time. The people around clap and film with their phones. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 35mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

    Static35mm5s

12. 12

    Line 11 · on camera, call to action

    A single continuous take with no cuts. The young man in the black leather jacket holds the phone out and talks excitedly straight into the camera, asking his followers where to fly next, then points at the camera on the last words. His lips move clearly with every word. Behind him boats glide along the river softly out of focus. Handheld camera with natural shake, documentary feel, following the action. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

    Handheld24mm5s

Models

• LTX-2.5Lightricks · open weights · 12 generations