Flying Tesla Roadster · Ploy at Ratchaprasong (TikTok reel)

Logline

Ploy flies the real-shape Tesla Roadster over Ratchaprasong and lands at CentralWorld — a talk-led Thai influencer reel.

Note of intent

A Thai AI influencer, Ploy, lifts the newly unveiled Tesla Roadster off the Ratchaprasong intersection in front of CentralWorld on its four cold-gas thrusters: office workers on the skywalk film it, she admits her hands are cold, tells what Tesla has said about the car (revealed in mid-October, production from 2028, left-hand drive only so far) and lands back at CentralWorld, asking her followers where they would fly first. 39 s, 9:16, golden hour throughout, three on-camera lip-synced lines. Dialogue (Thai): ทุกคน! พลอยนั่งอยู่ในรถ ที่บินได้จริง ๆ... กลางแยกราชประสงค์ เลยนะ! · ใต้ท้องรถมีทรัสเตอร์อัดอากาศ เทคโนโลยีจาก SpaceX ยกทั้งคันลอยขึ้นได้เลย · โอเค หายใจลึก ๆ... สาม... สอง... หนึ่ง... · กรี๊ด! ขึ้นแล้ว! ลอยขึ้นจริง ๆ! · พี่ ๆ ออฟฟิศบนสกายวอล์ก หยุดเดินกันหมด ยกมือถือถ่าย กันใหญ่เลย · บอกตรง ๆ นะ มือพลอยเย็นเฉียบเลย... แต่มันนิ่งมาก นิ่งกว่านั่ง BTS อีก! · หลังคากระจกสีทองทั้งแผ่น มองออกไปเห็นไฟราชประสงค์ ติดทีละตึก สวยจนขนลุกเลยอ่ะ · Tesla เพิ่งเปิดตัวคันนี้ กลางเดือนตุลา บอกว่าจะเริ่มผลิต ปีสองพันยี่สิบแปด · แต่คันนี้พวงมาลัยซ้ายนะ ยังไม่มีพวงมาลัยขวา ต้องรอดูว่าจะมาเมื่อไร · ลงจอดหน้า CentralWorld พอดี... คนปรบมือให้ด้วย! · ถ้าแกได้ขับคันนี้ หนึ่งวัน จะบินไปไหนก่อน? เมนต์บอกพลอยหน่อยนะ! How it was made (all open weights except the voice): Ploy's character sheet → every car shot drawn against Tesla's own photo of the same angle (front three-quarter, side, straight rear, the yoke, the cabin; used as references only, never published) → empty plates of the Ratchaprasong intersection and its skywalk made from real location photos → keyframes with FLUX 3 Klein; the cabin stills corrected against Tesla's cabin photos (no mirrors, brushed-silver yoke spokes, dark charcoal suede ceiling and dashboard, left-hand drive) → LTX-2.5 clips with a director rig per shot (smartphone 24 mm for the talking shots, ARRI Alexa 35 + anamorphic for the car), golden hour in every shot → the cold-gas vapour LTX paints peach in that light keyed back to white in the edit, shot by shot → lip-synced lines rendered audio-to-video and cut in at 0.4 s → final cut: colour matched shot by shot, one grade (S-curve, teal shadows, warm highlights, halation, grain), edit VFX (flash, RGB split, shake on the drop, glow, whip, skin smoothing on the talking shots), music drop on the lift-off line, every shot ending on its planned frame, word-by-word Thai captions, AI label and the SparkScene logo. What the car says it is comes only from Tesla's page and unveil livestream: revealed mid-October 2026, production from 2028, left-hand drive only so far, SpaceX cold-gas thrusters, a gold-tinted glass roof. Voice: Led (G), one emotion tag per line; English names written the way Thai speakers say them before the voice reads them. Use as template (button above): the same shots, cameras, timing and edit with your influencer, your product photos, your location and your lines. Made with AI. Not an advertisement for Tesla; flying on real roads is not allowed.

The look

Golden hour throughout · smartphone 24 mm talking shots, ARRI Alexa 35 anamorphic car shots · Kodak Portra grade · one look for the whole cut

• SoundGenerated with picture
• Format9:16 · 10 shots · Final

Character sheets & references · drawn before the shots

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  Character sheet · Ploy

• 

  Place · Ratchaprasong intersection in front of CentralWorld, empty plate (made from real location photos; a temporary mascot removed)

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  Place · The Ratchaprasong skywalk, empty plate

• 

  Prop · The car, drawn shot by shot against Tesla's own photos of the same angle (the press photos themselves are not published here). Shown: our own stills — straight rear, landing front three-quarter, the yoke.

Shot list

1. 01

   Hook · the real yoke, left-hand drive (macro push-in)

   A single continuous take with no cuts. Both hands tighten a little on the grips while the camera slowly pushes in toward the yoke. Nothing else changes: no buttons, lights or screens appear. The camera slowly dollies forward toward the subject. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 50mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Push In50mm3s

2. 02

   Line 1 · on camera, parked at Ratchaprasong

   A single continuous take with no cuts. The woman in the white jacket sits in the driver's seat of the parked car and talks happily to the phone camera on the dashboard with a warm, natural smile, her eyebrows relaxed and her forehead smooth, leaning a little toward it. Her lips move clearly with every word. Both of her hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows office workers walk past on the sidewalk. The car has no side mirrors and no rear-view mirror: none appear at any moment. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. Her face stays the same young woman's face in every frame, with smooth skin. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

   Static24mm5s

3. 03

   Lines 2–3 · the thrusters fire, straight from behind (cold-g

   A single continuous take with no cuts. With a sharp hiss, white cold gas bursts from the nozzles under the car's four corners and billows into thick white clouds across the ground. No flame, no fire and no glow: only white vapour. The car stays on the ground, level, and keeps facing away from the camera. The camera slowly dollies forward toward the subject. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 35mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: a sharp rising hiss of high-pressure gas.

   Push In35mm5s

4. 04

   Line 4 · lift-off on the music drop, body level on four cold

   A single continuous take with no cuts. The car rises straight up, slowly and smoothly, on exactly four columns of white cold gas, one under each of its four corners next to the wheels; the body stays perfectly level the whole time: it does not tilt, pitch, roll or turn, and its nose keeps pointing the same way. Thick white clouds billow outward over the ground. No flame, no fire, no glow, no extra jets. The people around raise their phones and step back. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: a loud roar of high-pressure gas.

   Static24mm8s

5. 05

   Line 5 · office workers on the skywalk film it

   A single continuous take with no cuts. The office workers on the skywalk follow something flying overhead with their eyes and phones from left to right, laughing and cheering, one covers her mouth in surprise, one points up. A warm evening breeze moves their hair and lanyards. Handheld camera with natural shake, documentary feel, following the action. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: natural ambience matching the scene.

   Handheld24mm5s

6. 06

   Line 6 · on camera while flying

   A single continuous take with no cuts. The woman in the white jacket flies the car high above the city; she keeps looking ahead through the windscreen and glances at the phone camera on the dashboard while she talks, first a little shaky and honest, then relieved and smiling. Her lips move clearly with every word. Both of her hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows the skywalk and the street slide slowly past below. The car has no side mirrors and no rear-view mirror: none appear at any moment. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. Her face stays the same young woman's face in every frame, with smooth skin. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

   Static24mm5s

7. 07

   Lines 7–9 · over Ratchaprasong at golden hour (cold-gas vapo

   A single continuous take with no cuts. The car glides slowly and level across the frame on its four white gas jets. Aerial drone shot gliding forward high over the landscape. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Drone Flyover24mm5s

8. 08

   Line 7 · she laughs

   A single continuous take with no cuts. The woman in the white jacket hovers the car above the intersection and breaks into a bright, joyful laugh, looking out of the side window at the street below; even while she laughs her face stays youthful with smooth skin around her eyes and cheeks. She does not speak. Both of her hands stay on the yoke grips the whole time; the gold-tinted glass roof and the yoke on its column stay exactly as they are. Outside the windows the skywalk and the street slide slowly past below. The car has no side mirrors and no rear-view mirror: none appear at any moment. The yoke's metal spokes stay brushed silver, and the dashboard top and the whole ceiling stay dark charcoal-grey suede with dark tinted glass the whole time; there are no side mirrors and no rear-view mirror. Her face stays the same young woman's face in every frame, with smooth skin. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: natural ambience matching the scene.

   Static24mm3s

9. 09

   Line 10 · landing at CentralWorld (cold-gas vapour keyed bac

   A single continuous take with no cuts. The car, still facing the camera, sinks straight down with its body level onto its four wheels into a cloud of white gas; the jets stop and the white vapour drifts away. The car keeps facing the camera the whole time. The people around clap and film with their phones. The camera holds completely still and the framing never changes. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 35mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, cinematic digital film still with soft highlight roll-off, natural true-to-life skin tones and gentle low contrast. Audio: natural ambience matching the scene.

   Static35mm5s

10. 10

    Line 11 · on camera, call to action

    A single continuous take with no cuts. The woman in the white jacket holds the phone out and talks excitedly straight into the camera, asking her followers a question with raised eyebrows and a big smile, then points at the camera on the last words. Her lips move clearly with every word. Behind her office workers walk past softly out of focus. Handheld camera with natural shake, documentary feel, following the action. Lighting: low warm golden-hour sun from behind and to the left, long soft shadows and a glowing golden rim light on hair and shoulders. Cinematic footage, 24mm lens, warm soft-contrast film colour with peachy skin, pastel highlights and fine grain, casual smartphone snapshot with a wide-angle perspective, everything in focus, a flat HDR look, over-sharpened edges and faint noise in the shadows. Audio: the character speaks the Thai voice-over line, lips in sync.

    Handheld24mm4s

Models

• LTX-2.5Lightricks · open weights · 10 generations